It’s best known as something you dread hearing in the dentist chair. While other wistful ballads have managed to stand the test of time, this one is about as corny as it gets. “You Light Up My Life," Joseph Brooks from You Light Up My Life.Like Splash Mountain, it’s time to once and for all bid this song from this racist garbage adieu-dah. Listen here. “Zip-a-Dee-Doo-Dah," Allie Wrubel and Ray Gilbert from Song of the South.Kasha and Hirschhorn gave us yet another musical mishap from a ’70s disaster flick, toppling a better song in this case, the self-titled, gut-busting theme to Blazing Saddles. “We May Never Love Like This Again," Al Kasha and Joel Hirschhorn from The Towering Inferno.Worst of all, this drowsy ballad unreasonably won over the toe-tapping perfection that is “That Thing You Do!” Must we? Because, honestly, Madonna has had infinitely better and more deserving songs from movies, including the Oscar-winning Stephen Sondheim composition “Sooner or Later (I Always Get My Man)” from Dick Tracy. “You Must Love Me," Andrew Lloyd Webber and Tim Rice from Evita.Talk about a disaster: this waterlogged ballad bested Michael Jackson’s far superior “Ben.” Listen here. “The Morning After," Al Kasha and Joel Hirschhorn from The Poseidon Adventure.“You’ll Be in My Heart," Phil Collins from TarzanĪ forgettable song from a forgettable movie, Phil Collins’ snoozer inexplicably beat out both Aimee Mann’s haunting “Save Me” and Trey Parker and Marc Shaiman’s hilarious “Blame Canada.” It’s the Crash of best original song winners: its victory remains baffling as ever.Putting aside the fact that this is one of the more lackluster James Bond songs (we dare you to try and hum this one from memory), what was even more bleak was having it triumph over Lady Gaga’s “Til It Happens to You,” a harrowing ode to survivors of sexual assault, from The Hunting Ground. “Writing’s on the Wall," Jimmy Napes and Sam Smith from Spectre.In no particular order, these are one critic’s picks for the 15 worst Oscar-winning songs of all-time. From forgettable Disney ditties to treacly disaster flick ballads (the only thing worse than perishing in The Towering Inferno or The Poseidon Adventure was the music accompanying them), there have been more than a few times when the Academy of Motion Picture Arts and Sciences (AMPAS) showed that they can be utterly tone deaf. (Apologies in advance to talented icons Phil Collins, Barbra Streisand, Elton John and repeat offender Randy Newman.) Of course, some of the most egregious Oscar moments have come from giving an Academy Award to confounding song selections. (“I Don’t Want to Miss a Thing,” “Because You Loved Me,” and “‘Til It Happens To You” sure seemed like locks at the time, and then, nadda.) It’s also the same category that controversially nominated a track from an obscure Christian flick back in 2014, only to have to revoke it later. After all, this is a category that has nominated living legend Diane Warren 13 times and sent her home empty handed every single time. The best original song category is no stranger to some regrettable follies. Parasitewinning best picture in 2019), the Academy Awards can also get other things so very wrong (remember when Crash triumphed over Brokeback Mountain or how they were so transparently skewed they generated the hashtag #OscarsSoWhite?). For every time the Oscars gets something so very right (i.e.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |